Music super Andy Gowan discover his choose to THR, to add which character inspires the most and also what monitor he wishes were featured in the series.

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Of the countless memorable music moment on How i Met your Mother, the rooftop leaps in the season four finale were soundtracked through AC Newman’s “Prophets” due to the fact that of a ritual that music super Andy Gowan has maintained throughout the series’ run. “I choose to placed together these tiny playlists for Carter and Craig and also the various other writers,” he tells The Hollywood Reporter. Every couple of weeks, Gowan traction a dozen monitor from his well-organized iTunes playlists that potential song choices – over 1,700 options accumulated from the last two seasons alone – together “just a way to spur some ideas; probably they hear something the will influence an episode. Possibly it was something they heard and also clicked with, and also envisioned it in the succession they to be writing.”

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But prefer Josh Radnor‘s Ted, Gowan’s consistent search for the perfect tune for a pivotal step – amidst budget constraints because that licenses and also a fast-paced network TV manufacturing schedule, and while trying to lend airtime to an under-appreciated classic track or the following great, currently unknown band – has actually its own “the one that got away” dead ends. He desire Stephen Malkmus & the Jicks’ “Fall Away” would’ve do it right into season seven, and also Turin Brakes’ “Will Power” has actually been a tempting contender throughout the years. “There’s a lyrical refrain, and also the form of the song simply really lends itself to our huge Ted moment – it’s one more one I kept coming back to numerous times, and including to those playlists,” says Gowan. “For whatever reason, the never became ‘the one.’“

Gowan – a bay Area indigenous who learned the ropes from functioning with sector vets Kevin Edelman and Alex Patsavas, simply signed on because that MTV’s Happyland and also is at this time scouting a theme tune for Netflix’s an initial animated original series Bojack Horseman through Will Arnett and Aaron Paul – join HIMYM‘s an imaginative team after the first season, once the CBS collection opted to add a music supervisor. When he’s most musically influenced by Ted’s emotional plot clues – “it’s his story; he’s naturally offered the most and also biggest track moments the the show, so when I’m out there listening come music, I’m listening for his moments” – Gowan has appreciated Neil Patrick Harris‘ “swagger job of bravado and also cockiness, before Barney softened up” and also Jason Segel‘s unique tongue-and-cheek, big Fudge segments together Marshall.

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Of the personality who has musically seized the spotlight the least, the admits, “You know, i can’t think of countless music moments because that Lily (Alyson Hannigan). Probably that’s in part because Lily was a little much more stable in terms of her life – she and Marshall have their ups and downs, but for the most part, they to be pretty solid. Robin (Cobie Smulders) had actually her ups and downs through Don, Kevin and even with Barney. Those species of storylines naturally drive the music … and I listen to part sad, depressing music fairly a bit, therefore that’s in my wheelhouse.”

THR caught up with Gowan to to mark his top HIMYM music moments, including the Bays-Thomas originals written with present composer John Swihart. He comment on every below, noted in chronological bespeak (and not consisting of the series finale, because a major moment of Monday’s episode would quickly make this list, Gowan notes):

“Boys Don’t Cry” by give Lee PhillipsSeason 2, illustration 1: “Where to be We?”Original waiting date: Sept. 18, 2006The sheathe of The Cure’s track was the tender tune to near the episode, as Marshall struggled to gain over Lily v a poor batch that pancakes. “I’ll constantly remember this one. This song was liked from my first big pitch of ideas to Carter and also Craig. They love it, together did the pan of the show. Certainly felt prefer I had actually arrived as a valued member that the team.”

“Let’s go to the Mall” by Robin SparklesSeason 2, illustration 9: “Slap Bet”Original waiting date: Nov. 20, 2006Barney reveals that Robin offered to it is in a Canadian pop star by sharing her hit single, created by Bays and Thomas. “I’m a for sure believer the this present will be enshrined in the annals that TV history, and also the character of Robin Sparkles will be a cornerstone that what world will talk about 30 come 40 year from currently when pointing out the brilliance the the series. This was her entree right into our cultural fabric – and also it’s a damn catchy song!”

“Sea Green, watch Blue” by JaymaySeason 2, illustration 22: “Something Blue”Original waiting date: might 14, 2007The acoustic tune comes on at the end of Marshall and also Lily’s wedding, as Ted shows on his breakup indigenous Robin through Barney and reinstates him as his wingman. “We finished season two v this song, i beg your pardon was in reality a pitch from josh Radnor. This to be my advent to , and we’d not only go on to job-related together top top Josh’s first film, Happythankyoumoreplease, however she also became among my favorite singer-songwriters.”

“Thirteen” by big StarSeason 3, episode 14: “The Bracket”Original air date: march 31, 2008The absent ballad plays during Ted’s heartwarming, two-minute day with Stella.

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Up to this suggest I had only known big Star for your power-pop anthems and for their tune “In the Street” that was the theme tune to That ’70s Show. but this song readjusted my totality outlook and appreciation for a woefully unrecognized band who had massive influence on the shape of rock music.”

Rewind” by GoldspotSeason 5, illustration 2: “Double Date”Original wait date: Sept. 28, 2009The Goldspot track plays as Ted and also his repeat blind day imagine what would’ve happened if things had worked out after their an initial meeting. “True story: i heard this song in my head while analysis the manuscript for this episode. It to be a weird minute of kismet. That bittersweet poignancy was the perfect ton to beat in one episode about missed opportunities, second chances and bad timing.”

“Ballad of teacher Frankie Crisp” by George HarrisonSeason 6, illustration 1 and also 24 : “Big Days” and “Challenge Accepted”Original air dates: Sept. 20, 2010, and May 16, 2011The song is played at the very beginning and also end the season six, together the collection flashes front “a tiny ways under the road” come Barney’s wedding. “It was such an respect to be able to use music from a Beatle (and among my favourite albums of every time – All Things should Pass is definitely on mine ‘desert island’ albums list). Us bookended the season v this song, which was the an initial time it to be hinted at the the ar where Ted at some point meets ‘The Mother’ was at a wedding. It definitely wasn’t basic to secure the rights to the song, yet it to be well worth it.”

“Let your Heart hold Fast” by ft AtlanticSeason 8, illustration 12: “The last Page, part 2”Original air date: Dec. 17, 2012The last web page of Barney’s playbook, entitled “The Robin,” is his rooftop proposal. “One of my favourite parts about my project is help to re-publishing music from relatively unknown acts with a bigger audience. Us went through a ton of songs for this step – including songs from much bigger acts – yet this tune won the day, and it was among the most renowned song supplies in the show’s history. Ns still hear native people around this one, thanking me because that helping them uncover this band.”

“Simple Song” by The ShinsSeason 8, episode 24: “Something New”Original air date: might 13, 2013Cristin Milioti is presented for the very first time, to buy a train ticket while holding her signature yellow umbrella. “This song has to be top top the list. Played end the first time we observed ‘The Mother’ – a very an effective song because that a very an effective scene.”

“You Just gained Slapped” through Boyz II MenSeason 9, episode 15: “Unpause”Original air date: Jan. 20, 2014Marshall’s “Slapsgiving” theme track is given a soulful remix during the last season. “What happens as soon as you integrate Boyz II Men and also a favorite initial song from our series? Magic, that’s what. We had a many fun pass into the studio and also onto our set to make the finish of this episode so cursed funny. What other display can pull off a whole Kill Bill-inspired episode, centered about one personality slapping the other in the face as hard as that can?”